Second Movie of the K-Seven Stories 6-Part Movies-Series.

原始动画“ K”的电影版本，其电视连续剧于2012年播出。,与电视动画一样，被遮罩的艺术家组“ GoRA”是原始的，而GoHands负责动画制作。,另一集是关于Reiji Sozo的一集，他在《 K SEVEN STORIES》第2集第1集中被描绘为主要角色，并依次对七个故事进行了动画处理，例如小说和漫画中的故事以及新写的故事。,故事被挤压了。,剑术大师竹增武（Takeshi Zenjo）是老牌的“权杖4”（Scepter 4），这是一个由有能力的人组成的安全组织，由“蓝王”丽司索佐（Reiji Sozo）领导。,在不受欢迎的午夜道场，穆内佐出现在曾为新手久原刚教授剑术的Zenjo面前，并提出接受Zenjo的剑术。,同时将放映分拆的短片“偶像K”，它也是“ K七故事”之一。

Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

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原始动画“ K”的新电影版本，最初由被掩盖的艺人团体“ GoRA”编写，由GoHands制作，2012年在电视连续剧中播放，并于2014年作为电影版本“ K MISSING KINGS”发行。 ,《 K SEVEN STORIES》的第3集将7个故事（包括小说和漫画中的故事以及新写的故事）赋予动画效果，并将其发布到剧院。,被击败的“绿色国王” Himizu-ryu独自挑战“金王”国二寺大角，誓言有一天会拿下“ Dresden Stone”。,七年后，为国分寺家族服务的著名家族的独生子Sukuna Gojo离开了房子，开始与“丛林”脱颖而出。,在丛林中的执行官村崎（Murasaki）在自由但无处可去的Sukuna面前，站在他面前。,同时将放映分拆的短片“偶像K”，它也是“ K七故事”之一。

Blue is a mother with a secret life. She'll do anything to keep it from her son. But her past has other plans.

Blue is a mother with a secret life. She'll do anything to keep it from her son. But her past has other plans.

Two friends in the Korean Navy, Lee and Kim are both part of an elite diving squad, specialising in emergency deep sea salvage dives. Lee is straight-laced and takes his duties seriously, while Kim treats the Navy as a lark. When Kang, a diving instructor and Kim's former girlfriend, is posted to the unit, this creates tension between the friends as they compete for Kang's affections. The tension is heightened when Lee is promoted ahead of Kim, creating a rivalry between the two. Kim's gung-ho approach to diving, and the danger he poses for himself (and his fellow divers), leads to further problems. Matters come to a head when an incident at sea causes the sinking of a submarine, requiring the unit to attempt a dangerous salvage rescue of the sunken submarine.